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Hear more from Michael. Check out the parts the " The Marvelous Mrs. Maisel " star and Emmy nominee has played. Take a look at her early roles. In Paris, a Polish gigolo marries a rich Jewish doctor and stands to inherit her estate when she is deported to Dachau by the Nazis. Honest LA insurance detective Joe Peters becomes corrupt after falling in love with sensual gold-digger model Diane. John Preston is a British Agent with the task of preventing the Russians detonating a nuclear explosion next to an American base in the UK. The Russians are hoping this will shatter the "special relationship" between the two countries.

In London, a counter espionage agent deals with his own bureaucracy while investigating the kidnapping and brainwashing of British scientists. After being double-crossed and left for dead, a mysterious man named Walker single-mindedly tries to retrieve the money that was stolen from him. After reading the diary of an elderly Jewish man who committed suicide, freelance journalist Peter Miller begins to investigate the alleged sighting of a former S.

Captain who commanded a concentration camp during World War II. Miller eventually finds himself involved with the powerful organization of former S. Miller probes deeper and eventually discovers a link between the S. This thriller should go down as a classic. It has a convincing story a rare thing in movies that try to blend historical fact and fiction. It's tense from beginning to end and doesn't have annoying red herrings or plot twists.

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The casting is perfect. Maximillian Schell is ideal as the Nazi war criminal.

Jon Voight is surprisingly convincing as a German accent and all. Good use of European supporting cast to avoid a fake feel. Good on location feel to it. Miller is approached by a group of Jewish vigilantes with ties to the Mossad , who have vowed to search for German war criminals and kill them and have been attempting to infiltrate ODESSA. Miller visits a lawyer working for ODESSA and after passing severe scrutiny is sent to meet a passport forger who supplies those members who wish to escape.

Slowly Miller unravels the entire system, but his cover is compromised, in part by his insistence on using his own car which has already been associated with the journalist Miller, not the SS man he is impersonating, and ODESSA sets its top hitman on Miller's trail. Miller escapes one trap by sheer luck: Eventually Miller confronts Roschmann at gunpoint and forces him to read from Tauber's diary. Roschmann attempts to justify his actions to his "fellow Aryan" but is taken aback when Miller bluntly says he has not tracked down Roschmann for being a mass murderer of Jews.

Rather, Miller directs him to the passage describing Roschmann's murder of the Army Captain, revealed to have been Erwin Miller, Miller's father. All of Roschmann's arrogance and bravado deserts him, and he is reduced to begging for his life. Instead of killing him, however, Miller handcuffs Roschmann to the fireplace and says he plans to have him arrested and prosecuted. Miller is caught off guard when Roschmann's bodyguard returns to the house, disarms him and knocks him unconscious. The bodyguard drives to the village in Miller's car to telephone for help, but is killed when he drives over a snow-covered pole, an impact hard enough to trigger the bomb.

This book struck me as rather similar to 'The Day of the Jackal'. They were international thrillers that made a few tweaks to history to serve an exciting new history and encompassed a wide range of characters. However, where 'The Day of the Jackal' failed because I had already seen the movie, my ignorance of this movie helped keep the book's tension ratcheted up. And really, that is the most appealing part of this book: What plans will go awry, how will small, seemingly insignifica This book struck me as rather similar to 'The Day of the Jackal'. What plans will go awry, how will small, seemingly insignificant, events impact the much greater flow of history, who will live or die kept me heavily engaged with the story.

In 'The Day of the Jackal' these questions had already been answered for me because of the movies. In this case I was genuinely concerned that at any point the the alleged protagonist could be killed and one of the other characters would pick up where he left off. So where 'The Day of the Jackal' took a historical counterfactual with events immediately after an attempted assassination of French president Charles De Gaulle 'The Odessa File' decides to follow a counterfactual of the existence of an international organization, Odessa, dedicated to protecting and enriching former Nazi SS members.

I say counter factual because, while many former Nazis were certainly aided in fleeing Europe post war, it is unlikely there was one overarching organization that did all of it. The story follows a young German journalist who stumbles across an account of a recently deceased Jewish concentration camp survivor who was convinced his camp's overseer who was responsible for tens of thousands of deaths was still alive and prospering in post-war 's Germany. Thus starts a hunt for Odessa that has significant repercussions on the international stage all nicely folded into the flow of actual history.

What I really enjoyed about this book is how every character had their own motivations and pursued them. Even people on ostensibly the same side had their own agendas and were more than happy to use their erstwhile allies to achieve them even if that meant screwing said allies over or getting them killed. It was also refreshing to see the bad guys actually be competent but also constrained by circumstances. These were all not powerful Nazis who turn out to be incompetent you've got to have some smarts to outlast the Kennedy administration while being hunted internaitonally but rather a highly organized network of fanatics who faced the same sort of technological and informational constraints a everyone else.

It was a pretty even match-up throughout the book which nicely contributed to the book's tension. The use of multiple characters; points of view was also deftly utilized to give the reader a greater context for the events of the book and raise the stakes above the simple hunt for an ex-Nazi officer.

It was great to see why all these myriad characters were acting as they did and it really enriched the story. While there were a lot of characters there wasn't really a ton of characterization. Like 'The Day of the Jackal' Forsyth gave plenty of background history to the important characters he introduced, but apart from the Journalist we don't really get a deep dive on any other characters.

This is fine by me because the suspense of the story kept me turning pages instead of the characters and the Journalist pulled enough character development weight to carry that aspect of the story. This is a great read for anyone who enjoys thrillers, historical fiction, or WWII history.

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I have a feeling that, if 'The Day of the Jackal' is any guide, seeing the movie ahead of time will significantly degrade the experience, so read the book first. Oct 14, Terence M rated it it was ok. Hunting Nazis, particularly SS Nazis, still had some cachet when "The Odessa File" was written in and the deeds of famous Nazi hunter, Simon Wiesenthal, who had aided the Mossad division of the Israeli Secret Service in identifying and capturing Adolph Eichmann only twelve years earlier, were in the news quite regularly.

Remembering recently that I had enjoyed "The Odessa File", I decided to read it agai Hunting Nazis, particularly SS Nazis, still had some cachet when "The Odessa File" was written in and the deeds of famous Nazi hunter, Simon Wiesenthal, who had aided the Mossad division of the Israeli Secret Service in identifying and capturing Adolph Eichmann only twelve years earlier, were in the news quite regularly.

It was an ok second read, but I think maybe my memories of films I saw, books I read, parties I attended, forty and fifty years ago have dimmed somewhat, but at least I still have them! Jul 18, Stephen rated it liked it Shelves: I usually set my limit at pages. This is a rule I set for myself a few years ago after realizing that I had slogged my way through too many worthless books while books I actually wanted to read gathered dust on my shelf.

I mention all of this because roughly pages into The Odessa File very little had happened. It was pretty dry. But I knew something or at was pretty sure I did: Frederick Forsythe can tell a pretty good story. So I stuck with it, and was almost immediately rewarded for my stick-to-it-iveness.

The beginning of the novel takes its time building up a foundation. It defines characters, recounts events, presents shady villains, and introduces our hero. But in doing this, it takes a long time to get our hero involved enough in the story to reach his goal. And while establishing this narrative foundation is at times tedious, it ultimately pays off in a fun and detailed manhunt that goes on for the rest of the novel.

Forsythe, again, presents a great and compelling thriller, and the pages turn pretty quickly once things get going. This was a fun read. I've been crawing a good espionage novel, and after a quick glance at my shelf decided that Frederick Forsyth was my man. After reading a journal left by a Jew who comitted suicide, young journal I've been crawing a good espionage novel, and after a quick glance at my shelf decided that Frederick Forsyth was my man.

After reading a journal left by a Jew who comitted suicide, young journalist Peter Miller is determined to infiltrate the organization and find one man - Eduard Roschmann, "the butcher of Riga". And so begins a work which should be one of the finest examples of political fiction, knowing the author's reputation and the notoriety of his subject. Except it's not, not really. The plot is sewn with a thick thread and some of the coincidences and strokes of luck are eyerolling; the characters are stereotypical and rather wooden, as if they came from a cheap drama; all the tropes are present, complete with a beautiful sport car and completely unecessary sex scenes the woman is beautiful, and never says no.

The twists are predictable; the interesting information about the Odessa is buried in a plot that's relatively slow-moving and arrives at a finale where the protagonist's luck is almost of miraculous quality. Still, it's a good yarn, and the fact that the real Eduardo Roschmann was brought to public attention because of it and had to flee to Paraguay makes it even better. Not at all a bad way to spend some hours.

Oct 21, Cheryl rated it really liked it Shelves: When a young German journalist comes across a diary written by a deceased elderly Jewish man, he is overwhelmed by the brutality described inside it.

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He determines to track down "the butcher of Riga"-- a notorious Nazi responsible for thousands of deaths during World War II. His quest leads him to a sinister organization named Odessa. Taut, well written and suspenseful, this book is hard to put down. Fast-paced thriller about a reporter finding evidence of SS officers hiding in post-war Germany.

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The author did alot of research into that time period, and reading about it was very interesting. The sections about the reporter and his stripper girlfriend weren't that well-written, but were thankfully brief. A quick and thrilling read. Aug 13, Paul Bartusiak rated it really liked it. It became pretty clear to me that this was a story or movie that I had neither read nor seen before, and it was hard to put down once started.

I finished it in just a few days, which is not easy for me given my hectic schedule. Forsyth has a great style, more direct that one of my favorites, John Le Carre, and he can really carry an emotional punch in just a few lines. A writer only dreams of being able to convey such power in a scene while using such few, carefully chosen words. In brief summary, the main character, Peter Miller, is a sort of accomplished tabloid reporter. He chases an ambulance in Germany and arrives at a home where the resident, an old man, committed suicide. The police chief passes on to Miller the diary of the dead man, and this leads to an investigation and chase which is really quite fun to follow.

Sadly, such a thing is what happened with this one. I should probably start by saying this is not a bad read. In so many ways it is really good — yet it did not push the right buttons for me. In my eyes too much of the story was lost to information being passed on to us. Moreover, I felt as though in some cases I was being told things that were pretty obvious to me.

Such a thing may merely reflect my knowledge of the matters spoken about in this book, but to me it made it hard for me to get back into the actual story once we were done with the thirty page history essay. Speaking of the story, I felt as though the two different stories merely complicated issues. In short, there was not a very good matchup between the two stories being told. I also felt as though the characters were very one dimensional. Motives were really easy to work out and there was no real character development throughout.

We were told what to think about people rather than being given the chance to form our own opinion. Overall an interesting story but it did not live up to expectations. I enjoyed that much of this thriller is spent on the German autobahns following the hero driving his Jaguar XK S at speeds over mph. That car had about HP, stiff peformance suspension, and a timeless design.

He drove everywhere with it, through dark forests, blizzards, and to most of the major German cities. What fun it must be to do this! I have been encouraged finally to take a trip there and do the same On the negative side, Forsyth's second best known n I enjoyed that much of this thriller is spent on the German autobahns following the hero driving his Jaguar XK S at speeds over mph.

On the negative side, Forsyth's second best known novel is a pedantic, cold, fictionalized historical "essay" that suffers from a lack of distinction between fact and invention. There is insufficient action and excitement to hide its underlying uninteresting mechanical structure. I was disappointed with the story Jan 28, Asghar Abbas rated it it was amazing. Not your typical guilt trip about that horrendous chapter in history and the amazing twist at the end, proved that. An ending that Fatherland by Robert Harris lacked, thus made that book's plot a little simplistic.

Still amazed by it. Oct 16, Charlie - A Reading Machine rated it really liked it. Wow someone just recommended this to me and it reminded me that I read it during High School for one of my classes. Good book if I remember correctly. Few Nazis, some conspiracies etc. Not Forsyth's best but a good one.

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Jul 08, Melanie rated it it was amazing. I love holocaust novels; partly because they are so emotional to me and also because the stories are so heroic. Mar 20, Avi rated it liked it Shelves: I have seen the film a few times and feel that the film is better than the book which is strange as its usually the other way round. It didn't hold the suspense that the film had. This novel has all the key elements of heart-stopping drama at its most intense that has made a name for Frederick Forsyth the world over.

The story begins in Hamburg in the early evening hours of November 22nd, President Kennedy was assassinated in Dallas, TX, a few hours earlier, and the news of that foul act has just reached the eyes and ears of every German. One of them is a freelance journalist nearing thirty: Seated placidly in the comfort of his beloved Jaguar XK S This novel has all the key elements of heart-stopping drama at its most intense that has made a name for Frederick Forsyth the world over. Seated placidly in the comfort of his beloved Jaguar XK S sports car, cigarette dangling from his mouth, Miller is set on going home for some good loving with his girlfriend Sigrid "Sigi" a lovely and alluring cabaret dancer, and a good meal before sleeping.

But from behind comes the harsh shrill of a siren from an ambulance. For Miller, "[a]mbulances meant trouble, and trouble could mean a story, particularly if one were first on the scene and the whole thing had been cleared up before the staff reporters arrived. It could be a major crash on the road, or a big wharf fire, a tenement building ablaze, with children trapped inside Miller always carried a small Yashica with flash attachment in the glove compartment of his car because one never knew what was going to happen in front of one's eyes. There, amid a number of police securing the scene and examining the contents of a room, which smelt heavily of gas, was found the lifeless body of a man in his 50s.

He had a tired, greyish, shrunken appearance.

The Odessa File

Miller, upon showing his press credentials, tries to ascertain what is going on initially without success as the police are being tight-lipped. But then an old high school friend, a police inspector named Brandt, comes down the stairs of the rooming house, dressed in mufti. They meet and briefly chat. A few days later, Miller receives a call from Brandt, offering something for him in reference to the rooming house incident.

Miller is riveted by the story that Tauber tells, in which he painstakingly recorded his experiences there. For 3 years, Tauber had lived so close to death, sadism and inhumanity as personified by Roschmann that, upon being shipped back to Germany in as the Soviets were about to retake Riga, he is determined to see Roschmann brought to justice for his crimes. But, upon the war's end the following year, Roschmann disappears, assuming the identity of a corporal in the German Army and spends 2 years in a POW camp. Eventually, he makes his way to his native Austria, where, after almost being found out, is helped through a network of people sympathetic to the SS, and escapes to Argentina, where he assumes a new life and career.